{"id":1029,"date":"2018-09-26T10:14:22","date_gmt":"2018-09-26T10:14:22","guid":{"rendered":"http:\/\/localhost\/spanishclassicbooks\/?p=1029"},"modified":"2019-11-28T20:05:12","modified_gmt":"2019-11-28T20:05:12","slug":"du-nom-au-genre-lope-de-vega-la-tragedia-et-son-public-by-florence-dartois","status":"publish","type":"post","link":"https:\/\/publiconsulting.com\/spanishclassicbooks\/du-nom-au-genre-lope-de-vega-la-tragedia-et-son-public-by-florence-dartois\/","title":{"rendered":"‘Du nom au genre. Lope de Vega, la tragedia et son public’ by Florence D\u2019Artois"},"content":{"rendered":"
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Biblioth\u00e8que de la Casa de Vel\u00e1zquez<\/a> pr\u00e9sente le livre de Florence D’Artois\u00a0Du nom au genre. Lope de Vega, la tragedia et son public<\/em>,\u00a02017, available online<\/a><\/p>\n

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\u00c0 une \u00e9poque o\u00f9 toutes les pi\u00e8ces \u00e9taient normalement d\u00e9sign\u00e9es par une \u00e9tiquette hyperg\u00e9n\u00e9rique, celle de come\u00addia,<\/i> Lope de Vega (1562-1635) a \u00e9crit six pi\u00e8ces qu\u2019il a appel\u00e9es tragedias <\/i>et une trentaine de tragicomedias<\/i>. Or la trag\u00e9die en Espagne \u00e9tait peu repr\u00e9sent\u00e9e hors du cadre des th\u00e9\u00e2tres commerciaux, les corrales de comedias<\/i>. Dans ces conditions, comment une id\u00e9e de la trag\u00e9die suffisamment consistante pour \u00eatre mobilis\u00e9e dans les m\u00e9canismes de composition et de r\u00e9ception du th\u00e9\u00e2tre de Lope a-t-elle pu se former\u00a0?<\/p>\n

Cet ouvrage explore d\u2019abord la formation de comp\u00e9tences g\u00e9n\u00e9riques du public du corral<\/i>, \u00e0 partir de deux ensembles en amont de la trag\u00e9die lopesque : les \u0153uvres tragiques \u00e9crites entre 1575 et 1585 et les comedias <\/i>tragiques \u00e9crites au tournant du si\u00e8cle.<\/i> Il revient ensuite \u00e0 la trag\u00e9die lopesque proprement dite, analysant la formule que Lope instrumentalise \u00e0 l\u2019envi pour s\u00e9duire divers types de public, en jouant de la plasticit\u00e9 d\u2019une forme qui se laisse adapter ad hoc<\/i>.<\/p>\n

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Lope de Vega (1562-1635) wrote six works which he called tragedias <\/em>and some thirty other tragicomedias<\/em>, at a time when custom demanded that all works be assigned a super-generic label, namely comedia<\/em>. Tragedy in Spain was known for a genre foreign to the world of commercial theatres\u2014the corrales de comedias<\/em>. In such conditions, how could a notion of tragedy be formed that was solid enough to operate in the mechanics of composition and reception of Lope\u2019s plays?<\/p>\n

This book begins by exploring the emergence of an ability to appreciate genre among the audiences of the corral <\/em>based on two groups of plays: tragic plays written between 1575 and 1585 and tragic comedias <\/em>written at the turn of the century. Here the book returns to Lope\u2019s tragedies proper, a tragic formula that Lope utilised effortlessly to seduce various types of audience, manipulating plasticity in a way that can readily be adapted ad hoc<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\u00a9 Casa de Vel\u00e1zquez, 2017<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Biblioth\u00e8que de la Casa de Vel\u00e1zquez pr\u00e9sente le livre de Florence D’Artois\u00a0Du nom au genre. Lope de Vega, la tragedia et son public,\u00a02017, available online \u00c0 une \u00e9poque o\u00f9 toutes les pi\u00e8ces \u00e9taient normalement d\u00e9sign\u00e9es par une \u00e9tiquette hyperg\u00e9n\u00e9rique, celle de come\u00addia, Lope de Vega (1562-1635) a \u00e9crit six pi\u00e8ces qu\u2019il a appel\u00e9es tragedias et … Continue reading “‘Du nom au genre. Lope de Vega, la tragedia et son public’ by Florence D\u2019Artois”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,142],"tags":[],"class_list":["post-1029","post","type-post","status-publish","format-standard","hentry","category-lope-de-vega","category-spanish-golden-age"],"_links":{"self":[{"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/posts\/1029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/comments?post=1029"}],"version-history":[{"count":5,"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/posts\/1029\/revisions"}],"predecessor-version":[{"id":1035,"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/posts\/1029\/revisions\/1035"}],"wp:attachment":[{"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/media?parent=1029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/categories?post=1029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/publiconsulting.com\/spanishclassicbooks\/wp-json\/wp\/v2\/tags?post=1029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}